How to Create an Unforgettable Piece of Academic Writing

The NYC P-Museum is one of the most unique museums in the world, with its focus on historical and contemporary printing processes. With its cutting-edge printing technology and its collection of rare artifacts and documents, the museum provides an ideal setting to explore the possibilities of custom dissertation writing. Through the museum, students can access an expansive array of resources and research materials, enabling them to craft a memorable and original dissertation – one that captures the attention of their professors, peers, and the wider academic community. With the resources of the museum, students can enhance their research and writing skills as they create an exciting and distinctive dissertation that speaks to their individual interests and goals. Whether it’s exploring the history of printing technology, or honing their research and writing skills, the NYC P-Museum is the perfect place to explore the possibilities of custom dissertation writing.

Exploring the Power of Custom Dissertation Writing in NYC’s P-Museum: How It Enhances Understanding of Art and Culture

Custom dissertation writing, which refers to the process of creating a research paper tailored to one’s specific academic needs and interests, can be a powerful tool when utilized in a museum setting. In the case of New York City’s P-Museum, located in the Brooklyn Museum of Art, custom dissertation writing can help visitors gain a deeper appreciation and understanding of the artwork, exhibitions, and the unique cultural history of the area.

Custom dissertation writing in the P-Museum can be used to analyze and explain the museum’s collections in a way that is both meaningful and informative. Studies of the artwork can include looking at visual and technical elements, as well as investigating the background of the artist or the story behind the artwork. Custom dissertation writing can also be used to explore the history and cultural significance of certain works or to connect them to broader, more complex topics like the political and social movements of the day.

Creative Writing at the NYC P-Museum: A Guide to Crafting an Exceptional Custom Dissertation

• Research the topic thoroughly, focusing on relevant and recent research and sources
• Strategize an approach to the dissertation that builds an argument and applies collected evidence
• Utilize resources from the P-Museum, such as rare artifacts and documentaries, for creative inspiration
• Format the dissertation according to standard academic practices and style guides
• Remain mindful of deadlines and expectations for the dissertation
• Carefully proofread and edit the final piece to ensure accuracy and completeness

Exploring the Art of Custom Dissertation Writing in NYC’s P-Museum

For those who are seeking to create a custom dissertation, taking advantage of the many resources available at the P-Museum in New York City can be an ideal way to get started. From collections of original dissertations to expert advice and guidance on how to design the perfect work, the P-Museum can offer invaluable insight to the world of custom dissertation writing. By taking advantage of its many programs, visitors can not only gain inspiration and a unique perspective but also learn techniques and strategies that can help make a custom dissertation stand out from the crowd. Whatever their discipline or academic field, the P-Museum is a must visit for anyone looking to take their custom dissertation writing up a notch.

In conclusion, it is evident that custom dissertation writing and New York City’s P-Museum have a lot to offer in terms of educational and entertainment value to those seeking a more enjoyable and fulfilling academic experience. Custom dissertation writing services allow students to have access to the most important and relevant research available, giving them a better chance of success in their academic endeavors. Meanwhile, the P-Museum provides a unique opportunity to explore the history and culture of the city, providing an enriching and educational experience that can be a valuable source of inspiration for any student’s academic path. Together, custom dissertation writing and the P-Museum are invaluable resources for any student striving for success in their studies.

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What makes people Hispanic is the similar culture, and the Spanish culture is an ancient one. One thing that is certain about ancient culture in this modern world is that most of its elements have been lost, stolen, or hidden. For people interested in learning about an ancient culture or trying to know more about their roots, a museum or a library is the perfect place to be.

Why Visit a Hispanic Society Museum in New York?

New York City is blessed with many things, and museums are one. You can visit somewhere like The Hispanic Society of America Museum & Library to learn more about the Hispanic society.

Artifacts in this library and other available activities are dedicated to informing, educating, and entertaining people with the arts and culture of Spanish-speaking societies (Spain, Portugal, and so on). 

So if you ever visit NYC as a tourist, here are five reasons you should visit this museum.

1. You don’t pay a dime

If you are a frequent tourist, you would understand the stress of having to pay for everything everywhere you visit and everything you do. Even if you came prepared, these bills could be pocket-unfriendly.

Walking is free, but walking into a place will cost some dollars unless you walk into The Hispanic Society Museum. The museum is free-for-all every day and every time of the year. The museum is focused on purpose rather than profit.

On days when you are out of cash and financially constrained to leave your lodge, The Hispanic Society Museum is a place to spend some time, have fun, and revel in the tourist experience. 

2. It has an extensive collection

Okay, that heading was an understatement. The Hispanic Society of America Museum holds the largest collection of 19th-century Spanish art, more than any other museum outside Spain. Some unique artworks in this museum include Francisco de Goya’s The Duchess of Alba, Diego Velazquez’s Conde-Duque De Olivares, and Jose Campeche’s Dona Maria Catalina. It’s a lengthy list, so you might want to check it out yourself.

You can be in New York and feel like you are walking through the streets of Barcelona. You don’t need to fly there to relish the feeling.

3. It has many rare books

Are you a book lover? If yes, think of what it will feel like to walk through a collection of 250,000 books. Yes, the number of zeros is correct! It’s mind-blowing if you are a fan of history books because The Hispanic Society of America Museum has everything from publications, manuscripts, and publications from way back in the 19th century.

These publications send you to different parts of the world — Spain, Latin America, the Philippines, Portugal, and more. Very few libraries or institutions can come close to or beat the standard of this museum. Having books and making tourists drown in the smell of ancient pages is not enough. Is it?

The museum also has a reading room where you can borrow a book and unwind in the knowledge hidden in its pages. Seeing that the library is free, it is also a great place to perform research work if you are a student of history. The library grants users quick access to any book of their choice. 

4. Souvenirs

You do not want to visit a place like The Hispanic Society of America Museum and leave empty-handed. You want to get something that will help you preserve the memory of this place.

The museum has many rare books, but you cannot carry them home. However, these books have been converted into digital form, and you can get these digital copies for free.

The museum also has a shop where you can get museum-themed items. Prints, pictures, arts, and more that teach more about the Hispanic arts and culture than you can purchase at the museum’s shop for a couple of dollars. 

5. Ancient meets modern

The Hispanic Society of America Museum is your best bet to find ancient Spanish art and literature in the U.S. However, the place is not as archaic as the items stored in it.

The museum has a modern library containing over 3000 monographs and 1,500 periodical titles. Several modern installations make the museum easy to use and give it a 21st century feel yet transcends effortlessly with memories from the 19th century and beyond. 

Final Notes

Spending time at The Hispanic Society of America Museum as a tourist is never a loss. Irrespective of who you are, you will find something that interests you when you take a tour around the museum. Sculptures, drawings, maps, folklores, everything!

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Museums are of different kinds, and you can visit one that piques your interest if you want to learn about history or educate yourself about things that happened a long time ago. As impressive as museums are, only a few of them are around. Suppose you are an art collector or have a passion for history, you can establish a small museum in your locality where you provide value for the community and make money simultaneously.

There are several processes to get this started. If you live in Spain, after finding your museum exhibits, you will need a broker to help you set up the business modalities and keep things running. One of the best ways to get online brokers in Spain is to visit a site like Brokerschart. You will find thousands of reliable brokers for your various needs in Spain on the website.

This article walks you through the processes of starting a museum.

1. Find a Niche

Before you get a location or start building a structure for your museum, you need first to determine the kind of museum you want to build. The answer to this is usually not farfetched. You must have come across a museum recently, and you were intrigued by the design or the kind of art you found inside.

Profit is usually not the primary goal of setting up a museum. You must have seen something that has intrigued you, and you are driven to recreate it or do something similar. There are many kinds of museums you can build. It could be art museums, science museums, history museums, children’s museums, and etc.

Another way to decide the kind of museum you should build is by listening to the community. Find out what people are interested in, and you can get these people to raise donations for your project when you start. 

2. Find Funds

You need money to procure exhibits and artworks to fill your museum. The materials to design the interior and exterior of the design will also require payment, not to mention the utility bills, staff salary, and other minor bills.

It has been established that building something that interests the community is a sure way to raise funds for your museum. This means that you don’t need to have capital before you can build. You can source funds from different places, and you’d be surprised how many people would be willing to support your projects with money from their reserves.

You can apply for federal grants or business loans. You can also contact a corporate or non-profit organization for funding. If you can reach out to a large audience, you can set up a GoFundMe account where the public can donate to your project. You will also need a reliable broker like Libertex to provide escrow service when you want to get your exhibits. 

3. Find a Location

The location of your museum must be strategic. If you are building a historical museum, you can rent or buy a historical building. The building will complement its purpose and attract a flock of customers. 

Finding a building that complements the purpose of your museum is not compulsory. However, you must ensure that you find a location within proximity so that people can easily step out of their houses and spend time in the museum.

4. Get Your Documentations

You cannot develop a museum and start operation without getting the necessary documentation and approvals from certain organizations. States have individual requirements for businesses trying to establish in their territory.

You can contact your state territory to know all you need for a license to operate. You also need to obtain an identification number from the IRS. This ID number will be used to process your tax. If you are developing a non-profit museum, you will be exempted from tax collection.

If you are using loans to finance the development of the museum, you will need to have your loan documents intact. Other documents include mission statements, contract forms, and etc. You can hire a professional lawyer to ensure you have all the required documents before launching your museum.

5. Design and Build

Now that you have everything you need, it is high time you started gathering exhibits for the museum. The art market is a risky one. People can easily get scammed and defrauded of their money. If you are in Spain, it would be in your best interest to find an authentic broker like XTB Broker to facilitate transactions between you and the individuals you will be getting your art from.

When you have this sorted, you can visit other museums to get ideas on how to design the layout of your museum. You can also develop interactive services so that people can do more than just look when they come to your museum. Ideas? You can set up a picture spot, summer camps for kids, scavenger hunt for teenagers, and etc. It makes your museum an exciting place to visit. 

Final Thoughts

You’re done setting up your museum, congratulations! You only need to hire capable hands to help you with the day-to-day running. You can’t be everywhere at once, can you?

Find an advertising agency to help you promote your museum, its services, and the opening day. Attract the public, and you can, through your passion, entertain the community and earn a profit.

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For the police, it’s all about the evolution. Each ruler and era has made small adjustments to the system, so you should too.

Not surprising to learn that there are museums dedicated to the police force in the Russian Federation.

The museum offers a look at the history of the Russian police from 16th century to present day. You can find out about how the Russian police were established, starting in 1715, when Peter I set up a system of policing.

This article is about the really old idea that has made a comeback in recent years and the use of it for the bottom barrel, yet valuable insight. The “translation” this medal offers and how not ironic it actually is. Made from pure iron and powerful tool at the same time – this “reward”. The chain weight of 6.8kg (without chain) with a long-term effect of at least 1 week had discouraged the owner of addiction for a long time

The museum has recreated an original, authentic 19th-century office. This includes displays of rare artifacts that were common in the time, such as an original armchair and a telephone.

There’s no shortage of historical information at the museum. One can learn about the evolution of police uniforms throughout time, as well as experience what a day in the life is like for officers.

16th century

In Moscow, during the days of the Stalinist regime, some of the most well-known security mechanisms were installed. They were called slingshots and guards were positioned inside them. The city was divided into several different sectors which would only open one at a time in the day. It was forbidden to be on the streets at night. John Vasilievich approved the trips around the capital in order to maintain order. Cases to search for criminals in those years were led by labial elders. Until that moment, lip letters were issued at people’s request. Documents like these made it possible for people to conduct illicit relationships without getting caught. The police were in charge of cases like this at first. Sometimes the boyars would be in-charge of them too, but it didn’t really work because they’re not professionals or anything.

17th century

The Zemsky Administration was set up to ensure public safety. There were detachments that monitored fires, as well as those who carried out inspections. They had spears, axes and water pipes in case of fire. The employees wore red and green attire.

18 century.

Peter established the Main Police where there were initially 4 officers, 36 lower ranks and 4 mounted guards. This body supervised the city and often carried out tasks like paving streets and building drains. In 1718, Devier became the chief of police. He began to command one regiment and the office of the chief of police. Thanks to him, St. Petersburg got lanterns and benches that year. The fire department was also set up in 1722; he worked as an inspector general at this time. He oversaw Russia’s public order and under Anna Ioannovna, the police became a judicial authority. She often took an active role in appointing punishments for criminal cases.

19th century.

So far, the functions of the top law enforcement official have been performed by zemstvo police officers, chosen by nobles. Governors have been abolished. There are police departments. This is the first time in Russian history that special units for solving. Here in 1866, the detective police was introduced. Later on, the same structure began to be applied in Moscow and other cities. A Criminal Investigation Service was also established in those places.

20th century.

Russia has played a huge role in the history of law enforcement and different countries have taken notice. In 1903 the use of police guards increased greatly thanks to the reforms enacted by Stolypin. A few years later, during Stolypin’s term as Chairman of the Council of Ministers, chief detective schools were established which proved popular among law enforcement agents worldwide. Even Switzerland acknowledged Russia. However, the February Revolution thundered, and the Police Department was abolished. This procedure was one of the main tasks proclaimed by V.I. Lenin. Instead, a people’s militia was introduced in addition to a worker’s militia. These structures weren’t under the control of a political force. Sometimes they were, but not always. The workers’ militia was similar to the city militia in that sense.

What can you see in the Russian Police Museum?

1. Shackles and cuffs, from revolutionary times

2. An interesting “medal” “For drunkenness” – a kind of “collar” for alcoholics who didn’t know how to restrain themselves, who got drunk up to the point of a chasuble, that is, falling to the hem of a priest’s robe. To take out a drunkard, it would take two strong people to take them under the arms, which is where the expression “figuring out for three” comes from – this was introduced by Peter I in order to try and control drunkenness. This manacle is made of cast iron and weighs quite a lot, it must’ve been tough to wear. It was fastened in such a way that it was impossible to remove it.

3. Badges of employees of the criminal investigation department in Moscow and Saint Petersburg.

4. An antique cash register is an attractive centrepiece for your store and can make a good investment.

5. A unique exhibit: a hand-woven carpet woven by craftswomen from Tajikistan with portraits of participants in the meeting of the Council of Ministers of the Interior of the CIS.

6. One may ask, why do we need images of people’s ears when fingerprinting is so commonplace? Well, there is a good reason for this. The unique structure of an ear makes it a reliable source of information because no two are alike and compared to fingerprints on other parts of the body, they tend to stay in pristine condition. The police found no evidence of the crime. However, there was an imprint of somebody’s ear on the front door as if someone had been listening outside. When the alleged criminal was caught, this fingerprint was compared with the drawing of his ear. This was enough to confirm his guilt because it matched a complete set of suspects of four.

Currently, the police is part of the Ministry of Internal Affairs. The tasks of the Ministry of Internal Affairs are outlined in the Constitution, Federal Law ‘On The Police’, and the Regulations On Service In The Internal Affairs Bodies. Other decrees also regulate their activities.

Despite the fact that it was renamed and reorganized many times during its existence, the essence of this institution has not changed. To date, employees are congratulated on Police Day on November 10th. This is the main holiday for them. It’s worth remembering that not all wreaths are for Christmas. There are also wreaths laid at the monuments of servicemen who died in the line of duty, as well as festive concerts and performances put on by schools.

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It is the only museum of its kind in the world, the American Police Museum. It is very easy to recognize this building – there is literally a car glued to one of the facades of the building. And no, you did not misunderstand. American Police Hall of Fame and Museum was founded in 1960 and here you can trace the history of police development in America from the 17th century to the present day.

The museum offers a huge exposition with more than 11 thousand items. Uniforms and weapons, badges and unusual vehicles are not the whole list. The museum boasts unique objects such as a gas chamber, an electric chair and a guillotine. In addition to the fact that many of these objects can be photographed, the museum offers you to become a detective or a criminal by taking part in an interactive game.

Be sure to read the signs next to the exhibits, because some of them can tell you a story that would make even the most veteran screenwriter dizzy.

In addition, there is a Memorial dedicated to the six thousand U.S. police officers who died in the line of duty, the memory of fallen comrades of the police are very reverent to the museum.

Getting into the museum is not difficult and you don’t have to pick a special day. It is open from 10:00 am to 5:30 pm. The cost of a single ticket is about $15, children 4-12 years are cheaper. Find this interesting place at 6350 Horizon Drive, Titusville, FL 32780, Miami, USA.

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The museum is located in Lower Manhattan at 278 Spring St. It is housed in an old Beaux-Arts-style fire station built in 1904. There are about 10,000 exhibits related to firefighting, dating back to the 1650s. Admission to the museum is $8, children under two are free, children under five/students/elderly are $5.

The first “firefighters”

It was here that the first firefighting service in the United States – back in New Amsterdam. In 1648, the governor ordered the detachment of four stout men as “firefighters.” At that time in the city was a stone fort, everything else – wooden, including chimneys in houses with thatched roofs. In windy weather, the structures burned out one by one. Over the next ten years, the number of firefighters in the town of 1,300 people doubled. Soon there was even the first fire alarm. Patrolmen used wooden rattles – at the sound of these, townspeople would immediately grab leather buckets of water and run to their aid. No one could go to bed without putting three buckets of water on the doorstep.

Any non-drinking, able-bodied man under 42 years of age who was willing to go to work at night could become a firefighter. At the same time, firefighters were volunteers – the state paid them nothing. True, they were paid by private insurance companies. That is why often, when more than one group rushed at the call of the ratchet, a fight could start – that was how firemen found out who would extinguish the house and thus get the reward from the insurers. Often a structure was already burning down, and the volunteers were still waving their fists. It wasn’t until the late 19th century that the disparate fire departments were able to unite.

The oldest exhibit

You can learn about all of this at the fire department museum. Although the museum is not very big, there is a lot to see: paintings, cars, painted water buckets, hammers, hats, helmets, tools.

The most exciting thing is the old fire trucks.

The oldest exhibit in the museum is the Bolton Quickstep, a four-person double-drawn car. It is circa 1820. Water was poured into it by hand with buckets, and retrieved through a system of brakes and feed pistols.

Four-legged helpers

The main helpers of the firefighters of former centuries were horses. They carried everything from hoses and ladders to fire chiefs. The fire department’s first ambulance station in New York City was set up in 1906 just for horses.

In addition to horses, there were often dogs in the fire departments. They helped look for people in rubble, pulled them out, even took cats out of the fire. One such dog lived at Brooklyn Fire Department 203 for ten years. One day this dog was hit by a car. Unfortunately, her injuries were incompatible with life and she died. But the firefighters didn’t want to part with her and ordered a stuffed animal, which stood in the unit for a long time and then ended up in a museum.

9/11 firefighters

Of course, this museum could not do without the 9/11 exhibit. After the events of September 11, 2001, a permanent memorial was opened in the museum – the city’s fire department lost 343 employees that day. Here you can see photos of all the victims as well as videos of the World Trade Center firefighting and rescue efforts.

Museum for children

Little visitors will be able to try on firefighter uniforms and take pictures in them. Also, if you wish, you can take a lesson on fire behavior. There is a video room and a mock-up of an apartment with an artificial smoke machine and fire. And on the way out you will find a souvenir store with lots of products dedicated to firefighting. Here you can buy a helmet with a plastic radio and other attributes of firefighters. Or you can just buy souvenirs with fire symbols, from clothes for kids, to ties and dog leashes. Each year the museum is visited by about 40 thousand people, so do not doubt – it is worth your attention.

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The New York Transit Museum holds many stories – of unusual engineering accomplishments, of the workers who toiled in the tunnels more than 100 years ago, of ever-evolving technology, and of the design and management of a system that runs 24 hours a day every day.

Don’t miss the entrance to the museum

Externally, the entrance to the museum looks like any other Brooklyn subway station, so visitors often walk around for a long time, not believing that this is it. Fortunately, the signage makes it clear that this is no ordinary New York City subway station. Under the ground, you’ll find many artifacts that tell the story of the evolution of one of the largest transportation systems in the world. Admission is $10 for adults, $5 for children, and free on Wednesdays for groups of up to 5 people.

Do you remember the old tokens?

Prior to the MetroCard, tokens were the predominant fare on the New York Metropolitan and buses from 1953 to 2003. The New York Transit Museum has an exhibit that shows token-operated turnstiles and ticket vending machines dating back to 1904.

The museum opened in 1976 as part of the bicentennial celebration of the United States. And at the time, admission cost just one token.

Both in the snow and in the rain

The museum features several different galleries that tell the story of the MTA. The museum is currently hosting an exhibition: “The City Recovered: Public Transportation Responds to the Crisis.” The exhibition shows that MTA employees, whose speed is teased throughout the city, handle their tasks quickly and clearly in critical situations. The events of 9/11, the Northeast blackout of 2003 (it occurred on August 14 in all parts of the Northeast and Midwest United States. It took almost two weeks to restore power), Hurricane Sandy and other severe weather events, the exhibit demonstrates how such critical transportation problems for a huge metropolis were handled.

One of the permanent exhibitions, Steel, Stone and Foundation: Building the New York Subway, tells the story of the construction methods and labor required to build the city’s first subway line at the turn of the 20th century. Historical artifacts, video footage, and photographs bring to life the dedication and tenacity of the workers who made this project possible.

Not just about trains

Another permanent exhibit, On the Streets: Trolley Buses and Buses of New York City, tells the story of ground transportation from the early 1800s to the present day. A 12-seat city bus, an Aquarium bus, road signs, parking meters, fire hydrants, traffic lights, and many other interactive “street components” bring this exhibit to life. Visitors can also learn about the evolution of fuel technology and its impact on the environment.

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The Guggenheim dynasty is one of the most famous in America. Its founder, Meyer Guggenheim, came to the United States in 1847 from Switzerland. He was 19 years old, he came to Philadelphia and married a girl whom he had met on the very ship on which he sailed to New York. Meyer had seven sons, and in 1881 he created the firm Sons of M. Guggenheim’s Sons. They were engaged in developing silver, lead and copper mines. This was the beginning of the famous dynasty.

A trio of museum founders

The most famous of Meyer’s sons was Solomon Guggenheim. He studied in Zurich, and when he returned to America he helped his father in business. Later he married Irene Rothschild and then became interested in art.

And in 1925, a landmark meeting occurred for Solomon – with the artist Hilda von Ribey. Hilda at that time had a stormy affair with the painter Rudolf Bauer, he created a new art salon in Berlin, called “Empire of the Spirit”, where he displayed his work and Kandinsky’s. Hilda, fascinated by the salon and abstractionism, was able to enthuse Solomon about the idea. And that’s where it all came to a head.

Hilda turned out to be a determined girl, moved to New York two years later and became Solomon’s adviser in the purchase of paintings. In the thirties, Guggenheim acquired more than three hundred works by Bauer for his collection and 150 works by Kandinsky. And then came the question of the museum.

At first, paintings from the Guggenheim Collection were hung in his private apartment in the famous Plaza Hotel near Central Park. As the collection grew, it became clear that another space had to be found. In May 1939, Solomon opened the Museum of Non-Objective Painting. Solomon was no longer young, he was 78 years old. But his collection was growing and the space was getting smaller and smaller – so Solomon made the decision to build his own museum. And then he had another important meeting with architect Frank Lloyd Wright. He was a real architectural theorist and didn’t just build houses, but put his philosophy into them.

Hilda chose him to create a museum; she wrote to the master, “All masterpieces must be organized in space, and only you can do that. Create for us a sanctuary of the spirit – a ‘temple of the spirit’, a monument!”

The museum was proposed to be “put in a museum.”

While Wright was working on the museum project, Hilda and Solomon were looking for a place for it. At first they were offered a site in the Bronx on the banks of the Hudson River, but the Guggenheim wanted to build the museum closer to other museums, and chose a site across from Central Park. Wright didn’t like the city and wasn’t happy about it, but he complied with the client’s request.

The architect’s plan was for the paintings in the museum to look like on an easel in an artist’s studio. He made the spaces flowing into one another, strung on a huge atrium. Visitors were supposed to take an elevator up to the last, fourth floor and from there take an inclined ramp down, bypassing the departing exhibition rooms in different directions.

Artists at the time didn’t like the museum – they thought that such a building would overshadow the impression of the paintings. Some artists even wrote a petition to protest against having their work displayed in the museum. The New York Daily Mirror wrote “This building should be put in a museum so people can then see how crazy the 20th century was.” Wright fought back as best he could, “I want to make both the building and the paintings one uninterrupted art object, in a sort of symphony in the art world that hasn’t existed before.”

The museum wasn’t finished until ten years later. In October 1959, it finally opened. But by then neither its creator, Solomon Guggenheim, nor its builder, architect Wright, were alive.

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In the 1960s, Howard Otway, when he bought the Theatre 80 building, had no idea what secrets lurked behind its walls and what surprises awaited him. All he knew was that it once housed a movie theater specializing in the screening of classic films, and of course no one had any idea that the lovely theater on St. Mark’s Street was then one of the centers of the illegal liquor trade during Prohibition.

While restoring it in 1964, Otway discovered a bunker-like maze in the basement and two old safes containing two million dollars in gold certificates, which, unfortunately, had expired at the time. As it turned out, there was an underground bar in the basement run by famous gangster Walter Scheib, who lived on the same floor above. Regular guests of the institution were all known at the time and now American gangsters Al Capone, Lucky Luciano and John Gotti. The bar was accessible through the butcher store around the corner on First Avenue. There had once been an elevated railroad here, and all the passengers crowded right by the butcher shop. Consequently, drinkers could slip into the store without a trace. At the back of the butcher shop was a tunnel through which one could climb backstage in the dance hall of the theater. To this day, there is still a small passageway between the theater and the bar, through which theater-goers could get to the bar during intermission, have a drink and a snack.

The museum guide tells about the events of those times in a very interesting way, illustrating his story with numerous original portraits of members of famous gangs and their founders at the time.

Today, the theater is owned by Howard’s son.

He is the one who turned part of it into the Gangster Museum, which covers not only the history of Walter Scheibe’s bar, but the entire gangster culture of the United States.

The museum was opened in 2010. That same year, on July 24, an indoor event celebrated the twentieth anniversary of the famous gangster crime feature film, Goodfellas, starring Robert De Niro. The event was held at the Museum of American Gangsters, as it is a maximum collection of information from that time. In the museum’s collection, among the exhibits – memorabilia of organized crime in America – you can see cracked safes, shots of moonshine and medicinal bans on whiskey, preserved original documents from the Prohibition era, banned newspapers, bullets of criminal meetings, in particular the sensational Valentine’s Day massacre, bullets that killed the famous bank robber “Pretty Boy” Floyd, John Dillinger’s death mask, guns of gangsters, handcuffs that were used during their arrest, original photos of crime bosses, including Al Capone with his friends over a drink, and you can also see the stills machine, which was used to please the customers of the underground bar with “fire water” in those days. Also still preserved are the wires that old gangster Walter Scheibe used to place explosives all over the bar so that he could destroy all the evidence in case of a police raid. The cracked safe and money are also a museum attraction. They look very impressive. Howard Otway even kept the original phones that connected the bar to the merchandise warehouse.

The museum consists of two small rooms, but nevertheless they contain perhaps the most detailed history of the American underworld.

Today, the area is home to a bar, located on the first floor, where daring gangsters can sample at their peril New York’s strongest drinks and taste Al Capone’s signature hot dog with a vodka-based sauce. The bar is open daily from 1 to 11 p.m. Here you will be immersed in the atmosphere of gangster times – dim lights, 60’s paraphernalia, pictures of gangsters, a small fireplace and a long wooden bar.

The museum itself is open daily from 1 to 6pm. If you wish to use a guide, it will cost $20. Without a guide, there is free sightseeing.

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The history of the Museum of The City of New York deserves a separate story. The museum was founded in 1923 by Scotsman Henry Collins Brown, a writer and popularizer of the city’s history, and at first it was located in Gracie Mansion, which at that time belonged to the Parks Department. But five years later, by 1927, the collection had grown so much that a new, larger space had to be found.

A dollar’s worth of city history

The city government donated a plot of land on Fifth Avenue between 103rd and 104th Streets, but this was clearly not enough: two million dollars had to be raised to build the new museum building, and, under the terms of the deal with the municipality, it had to be done in a fairly short time – by the first of June 1927.

Crowdfunding platforms did not yet exist, and specially established for this purpose charitable foundation literally “went to the people. Donations were advertised in newspapers and the subway. The minimum contribution was just one dollar. Both celebrities and ordinary people willingly donated to the history of their city.

The goal was reached, and the new building began to be erected just one year later, when the Great Depression hit. Despite this difficult period in American history, construction did not stop, although the grand plans had to be slightly revised. The museum building, designed by architect Joseph Freelander, and housing its vast collection, was opened January 11, 1932. In 1967, the Museum of The City of New York was officially recognized as a city landmark.

New move

In 2000, the museum began looking for new space. The board of directors voted to move to the renovated former courthouse in Tweed, downtown Manhattan, but the city administration placed the Education Department headquarters there. So the museum remained in its former location in East Harlem. Its reconstruction took about ten years and now the Museum of The City of New York is a beautiful exhibition space, restored according to all the rules of modern museum science. Gracie Mansion, the original home of the Museum of the City of New York, now houses the mayor’s residence.

What to see at the museum

The museum has several permanent exhibitions that you can visit throughout the year.

Urban Costume Exhibition

Clothes are not the only thing you see these days. The Museum of The City of New York boasts the largest collection of costumes and textiles, reflecting all the zigzags of capricious fashion over the last hundred years.

It’s not without its curiosities. A century ago, long before the environmental trend of recycling textiles began, an ingenious local tailor made old-fashioned men’s shirts into… maternity dresses! And that’s not the only exhibit worth seeing.

Manuscripts, prints, and sundries

This collection very accurately reflects the daily life of New Yorkers over the past three hundred years. It includes newspapers and magazines, invitation cards, restaurant menus, pennants, badges, and more. Of special note is a pamphlet issued by the MTA in 1950, which describes in detail, with numerous illustrations and maps, the newly constructed Brooklyn-Battery Tunnel (now called the Hugh L. Carry Tunnel).

Construction of this unique engineering structure began in 1940, but was delayed due to a shortage of building materials during World War II. Brooklyn-Battery is still considered the longest underwater vehicle tunnel in North America.

The Museum of The City of New York has more than 400,000 prints and negatives in its collection, priceless and honest testimonies of everyday life in the Big Apple from the mid-nineteenth century to the present day.

Silverware Collection

The silverware collection has over 2,600 items. It is broadly representative of silverware and accessories, award-winning weapons, and religious objects made by New York City jewelers and designers over the past two hundred years.

Theatrical Collection

More than 200,000 items documenting New York’s theatrical life since 1785. In this vast collection you’ll find posters, letters, scripts with original annotations, set designs, and costumes.

A collection of drawings and watercolors

The Museum of The City of New York’s collection of drawings and watercolors includes some 600,000 works by both famous and unknown artists and showcases the full range of American art from the early 19th century to the present day.

Hurry up and see

The Museum of the City of New York has approximately 750,000 exhibits. In addition to the permanent exhibit, the Museum of The City of New York has a variety of exhibitions on the most significant events in the life of the Big Apple.

Through October 14, you can visit an exhibit explaining how the bicycle has evolved from a recreational vehicle to a meaningful mode of transportation in New York City over the past two hundred years.
Through December, the Museum of The City of New York displays the work of Fred McDarr, photojournalist for The Village Voice Of The Village and Pride.

McDarr documented the turbulent life of New York in the 1960s and 1970s. Of particular interest are images that did not make it to the pages of the newspaper.

Another interesting exhibition, Urban Indian: Native New York Now, tells the story of the integration of Native Americans into the urban environment of New York.

Among the exhibits are paintings, photographs, works of applied art, and historical evidence of Indian community life. The exhibition will be on display until next March.

The exhibition, “City of Workers, City of Struggle,” focuses on the history of labor unions and its leaders. The labor movement in New York City began in the early 19th century and over the next two centuries evolved from a patchwork of craftsmen to a powerful political force. Featuring rare photographs, letters, and documents, the exhibit gives a clear view of the social, economic, and political aspects of workers’ lives and how workers’ struggles for their rights evolved.

Come to learn

The Museum of The City of New York attaches great importance to educational programs. There are often lectures, seminars, tours, workshops, and master classes for students and students of all ages, parents, and teachers.

The Museum of The City of New York is open daily except for Thanksgiving, Christmas and New Year’s Day.
Tickets are $20 and $14 for those over 65 and students. Visitors under the age of 19 are free.

How to get there

The museum is located on the famous Museum Mile, next to Central Park, three blocks from the 103 Str. subway station. (Line 6). You can take the A, B, C, or D lines to 103 Str., but they stop on the opposite, west side of the park.

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